Diopter Set: +1/2, +1, +2, +3
Split Diopter: +1/2, +1, +2, +3
Circular True Polariser
85/true Polariser Combination
Nd Set: 0.3, 0.6, 0.9
85 Set: 85, 85nd.3, 85nd.6, 85nd.9
Tiffen T1 1r Filter
Schneider 4 x 4 Clear Filter
Schneider 4 x 4 Circular True Polariser
Schneider 4 x 4 Neutral Density Filter Set: 0.3, 0.6, 0.9
Schneider 4 x 4 81 EF Filter
Schneider 4 x 4 85 Filter Set: #85, #85ND3, #85ND6, #85ND9
Formatt Hitech Firecrest 4 x 5.6 Nd Filter Set 0.3, 0.6, 0.9, 0.1.2, 1.5, 1.8, 2.1, 2.4
True Nds 4 x 5.65 Filter Set 0.3, 0.6, 0.9, 0.1.2, 1.5, 1.8, 2.1
Formatt Hitech Black Supermist 4 x 5.65 Filter Set 1/16, 1/8 , 1/4 , 1/2 , 1 , 2 Schneider& Tiffen 4 x 5.6 Clear Filters
Schneider Rotating Circular True Polariser Filter
Schneider 4 x 5.65 Blue Streak 1mm , 2mm , 3mm Filters
Schneider 4 x 5.65 Hollywood Black Magic I/8 , 1/4 , 1/2 Filters
Schneider 4 x 5.6 Attenuator Horizontal Filter Set: 0.3 , 0.6, 0.9, 1.2.
Schneider 4 x 5.6 Nd Filter Set: 0.3 , 0.6, 0.9, 1.2, 1.5, 1.8
Schneider 4 x 5.6 Platinum Irnd Filter Set: 0.3 , 0.6, 0.9, 1.2 , 1.5 ,1.8 , 2.1
Schneider 4 x 5.6 Black Frost 1/8 , 1/4 , 1/2
Schneider 4 x 5.6 White Frost 1/4 , 1/2
Schneider 4 x 5.6 Classic Soft 1/8 , 1/4 , 1/2
Schneider 4 x 5.6 Soft Edge Nd Horizontal Grad Filter Set : 0.3 , 0.6, 0.9 , 1.2 .
Schneider 4 x 5.6 Hard Edge Nd Horizontal Grad Filter Set : 0.3 , 0.6, 0.9 , 1.2 .
Schneider 4 x 5.6 811 & 812 Warming Filters
Schneider 6.6 x 6.6 Uv 410 Filter ( Haze )
Schneider 4 x 5.6 1r750 Filter
Tiffen 4 x 5.6 Smoque 1 , 2 , 3 Filters
Tiffen 4 x 5.6 Glimmer Glass 1/8 , 1/2 , 1/4 Filters
Tiffen 4 x 5.6 T1 1r Filter
Tiffen 4 x 5.65 Soft/ Fx 1/2 , 1
Tiffen 4 x 5.65 Low Contrast Filters 1/8 , 1/2 , 1/4
Tiffen 4 x 5.65 Black Promist 1/8 , 1/4 , 1/2
Schneider 6.6 x 6.6 Clear Filter
Schneider 6.6 x 6.6 Circular True Polariser Filter
Schneider Rotating Circular True Polariser Filter
Schneider 6″ Round True Polariser Filter
Schneider 6.6 x 6.6 Attenuator Horizontal Filter Set: 0.3, 0.6, 0.9, 1.2, 1.8
Schneider 6.6 x 6.6 Platinum Irnd Filter Set: 0.3, 0.6, 0.9, 1.2, 1.5, 1.8, 2.1
Schneider 6.6 x 6.6 Nd Filter Set: 0.3, 0.6, 0.9, 1.2, 1.5, 1.8
Schneider 6.6 x 6.6 Black Frost 1/8, 1/4, 1/2
Schneider 6.6 x 6.6 White Frost 1/4, 1/2
Schneider 6.6 x 6.6 Soft Edge Nd Horizontal Grad Filter Set: 0.3, 0.6, 0.9
Schneider 6.6 x 6.6 Hard Edge Nd Horizontal Grad Filter Set: 0.3, 0.6, 0.9
Schneider 6.6 x 6.6 81ef Filter
Schneider 6.6 x 6.6 85 Filter Set : #85 , #85nd3, #85nd6, #85n9
Schneider 6.6 x 6.6 811 & 812 Warming Filters
Schneider 6.6 x 6.6 Uv 410 Filter (Haze)
Schneider 6.6 x 6.6 1r750 Filter
Tiffen 6.6 x 6.6 Black Promist 1/4, 1/8
Tiffen 6.6 x 6.6 T1 1r Filter
Min. focus 5′ 7″ / Weight 10.5lbs / Length 13″ / Front Dia 133mm
The Full Frame Zoom lens is configured in the Full Frame version only:
– FF/VV ( ø46.3mm ) with dedicated sets of rear rings.
– 36-435mm T4.2, CF 5′, Front Diameter 162mm, Weight 12.75kg, Length 523mm and 46.3mm image circle.
Min. focus 2′ / Weight 4lbs / Length 186mm / Front Dia 114mm
Min. focus 2′ / Weight 11lbs / Length 13″ / Front Dia 136mm
Min. focus 4′ / Weight 24.5lbs / Length 18″ / Front Dia 162mm
Min. focus 4′ 5″ / Weight 24.4lbs / Length 18″ / Front Dia 162mm
Min. focus 2′ / Weight 4.5lbs / Length 186mm / Front Dia 114mm
Min. focus 3′1″ / Weight 4.3lbs / Length 203mm / Front Dia 114mm
1.4 & 2 x Extenders available
Suitable for 24 – 290mm Angenieux Optimo Zoom
https://www.arri.com/en/camera-systems/cameras/alexa-35#273064
Exceptional image quality and affordable CFast 2.0 workflows with an ergonomic design optimized for single-operator use and extended shoulder-mounted operation. Ready to pick up and shoot straight out of the camera bag, AMIRA is hardy enough to take anywhere and features in-camera grading with preloaded 3D LUTs, as well as 100 fps slow motion.
Now shoots 120 FPS in ProRes 422HQ with 64GB card.
Separate camera head and body joined by an optical cable. 4:3 and 16:9 sensor modes. Anamorphic and High Speed licences. The Alexa ‘ M ‘ will shoot 0.75 – 48 fps in 4:3 mode and 0.75 – 120 fps in 16:9 mode.
Lightweight carbon / 4:3 and 16:9 sensor modes / uncompressed Arri raw up to 30FPS / Prores up to 200FPS / In camera recording to Cfast 2.0 memory cards / Cost efficient in-camera grading.
Arri Alexa Mini LF Full- Frame 4K Camera
The Alexa Mini LF body is very similar to the Mini but has a full frame sensor with an LPL mount.
-4.5K ARRIRAW and ProREs
– LF Open Gate – 4.5K ARRIRAW (4448 x 3096) at 40FPS / 4.5K ProRes (4448 x 3096) at 40FPS
– LF 16:9 – ARRIRAW & ProRes UHD (3840 x 2160) at 60FPS / 2K/HD ProRes at 90FPS
– LF 2.39:1 – 4.5K ARRIRAW & ProRes (4448 x 1856) at 60FPS
With wireless remote, LDS, additional MON out and RS pwr outlets, lens sync for 3D and built in position and motion sensors. Now shoots 120 FPS in ProRes 422HQ with 64GB card.
4:3 and 16:9 sensor modes. Anamorphic and High Speed licences. The Alexa Plus 4:3 will shoot 0.75 – 48 fps in 4:3 mode and 0.75 – 120 fps in 16:9 mode.
Open Gate, 4:3 and 16:9 sensor modes, 512GB XR capture drive allows 47 minutes of 16:9 ARRIRAW at 24FPS or 9 minutes of ARRIRAW at 120FPS. In 4:3 ARRIRAW 48 FPS is possible. Included with the XT Plus are the Anarmorphic de-squeeze, high speed and DNxHD licences.
Min. focus 2′ / Weight 10.4lbs / Length 11’2″/ Front Dia 134mm
2 stage , 4 stage and 6 stage
2 stage, 4 stage and 6 stage
2 stage, 3 stage
2 stage, 3 stage
2 stage, 3 stage, 136mm insert for 25-250mm HR
2 stage, 3 stage
2 stage and 3 stage
2 stage, 3 stage
All T1.3 Dia 114mm:
14mm CF14″ / 18mm CF14″ / 25mm CF14″ / 35mm CF 14″ / 50mm CF 1’8″ / 75mm CF 2’9″ / 100mm CF 3’6″ / 135mm CF 3’3″
All T1.3 Dia 114mm:
14mm CF14″ / 18mm CF14″ / 25mm CF14″ / 35mm CF 14″ / 50mm CF 1’8″ / 75mm CF 2’9″ / 100mm CF 3’6″ / 135mm CF 3’3″
All T1.9, Dia 95mm:
16mm CF12″ / 24mm CF 12″ / 32mm CF15″ / 50mm CF 2′ / 85mm CF 3′
Contact Raj +64211781296
email : raj@rajpatel.co.nz
20.7mm T1.9 CF 7.5″ / 27mm T1.9 CF 13″/ 37mm T1.9 CF 18″/ 47mm T1.9 CF 17.5″ / 57mm T1.9 CF 19″/ 77mm T1.9 CF 26″ / 107mm T1.9 CF 2′3″ / 137mm T2.0 CF 3’4″
T-tuned BLACKWING7 lenses have a profile which further softens the roll-off to the edge of the frame, and provides increased edge detail halation. T lenses are designed to capture a slightly softer, artistic image, with a higher degree of light reactivity and flaring characteristics are harder and more prominent than with the S-tuned version.
https://www.fdtimes.com/2019/04/06/blackwing7-from-tribe7-for-review/
Weight (Body only): 0.8kg, Max. Resolution (nat.): Photo 5184 x 3456 / Video 1920 x 1080, Base ISO: 500, Framerates: 24; 25; 30 fps (FullHD), recording media: CF Card, Codec: MPEG-4 AVC / H.264, Sensor size: 22.3 x 14.9mm, Lens mount: PL.
Super 35 COMOS Sensor / 4K DCI and UHD 50/60P / MP4 UHD 50/60p Recording / Cinema EOS RAW Light / Canon EVF-V70 OLED Electronic View Finder / there is no read viewfinder / ideal for Drones and Gimbals.
24mm F2.8 CF12″ / 35mm F2 CF12″ / 55mm F 1.2 CF 24″ / 85mm F1.2 CF 24″ / 100mm F4 CF 18″ / 135mm F2 CF 59″
Canon Fd to Arri mount fits Arri Mini , Mini LF and Arri 35 .
1.4 & 2 x Extenders available
Suitable for 25 – 250mm Angenieux Optimo zoom, Hawk 150 -450mm & Optimo short zooms
28-85mm PL mount – Lens Covers Full-Frame Sensors
9-Blade Iris, T3.2-T22 Aperture
288° Focus Ring Rotation
114mm Front Diameter
Perfect lens for Commercials or 8K footage . Designed for full-frame cameras, this parfocal lens ensures minimal breathing distortion and natural, rounded bokeh.
75-250mm PL mount – Lens Covers Full-Frame Sensors
11-Blade Iris, T3.2-T22 Aperture
288° Focus Ring Rotation
114mm Front Diameter
https://www.newsshooter.com/2022/08/29/chiopt-xtreme-zoom-75-250mm-t3-2-review/
All T2.3 Dia 110mm:
25mm CF 22″ / 32mm CF 22″ / 40mm CF 22″ / 50mm CF 22″ / 75mm CF 31″ / 100mm CF 35 / 135mm CF 47″
All T2.3
40mm CF 3′ / 50mm CF 2’9″/ 75mm CF 3 ‘3″/ 100mm CF 4″
All T2 Dia 110mm:
Set includes-18mm CF 9″ / 25mm CF 9″ / 32mm CF 12″ / 50mm CF 20″ / 75mm CF 30″
Additional -14mm CF 9″ / 21mm CF 9″ / 40mm CF 16″ / 100mm CF 30″ / 135mm CF 30″
Dia 110mm:
18mmT2.2 CF 9″ / 25mmT2.2 CF 9″ / 32mmT2.3 CF 12″ / 40mmT2.3 CF 12″ / 50mmT2.3 CF 20″ / 75mmT2.3 CF 30″ / 100mmT2.8 CF 3’6″
The DJI Transmission is an independent video wireless system that’s incorporates a transmitter and a monitor with a receiver . This combo allows the user to view images up to 20,000-foot (6km) on-ground transmission distance (FCC) with end-to-end ultra-low latency (down to 68ms). Video is transmitted in 1080p 60fps (up to 50Mbps bitrate) and provides live audio monitoring at 16-bit 48 kHz.
suitable for Monstro 8K or Sony Venice 6K in combination with Optimo 24-290mm
16mm T2.8 , 21mm T2.1 , 25mm T2.1 , 35mm T2.1 , 50mm T2.1 , 75mm T2.1 , 125mm T2.1
PL mount
25mm T1.4 , 35mm T1.4 , 50mm T1.4 , 75mm T1.4 , 100mm T1.4 .
PL mount
Dual Output batteries
Multifunctional High Power Li-ion Battery 1232Wh-28Vx2/30A/40A-15V/10A Capacity: 43.6Ah /1232Wh
Output 1/2: 28V/30A?
Max current 40A for each 28V output
Two 28V outputs can work at same time
5-level LED power indicator
Dimensions : 221.5mm×152mm×174mm Weight : 7500g
Easy Rig Vario 5 – Strong ( 10-25 kgs )
Easy Rig 4 Vario
Easy Rig Cinema 3
Serene
Suitable for numerous lenses, please inquire for more details.
The PLx2 VV Optical Extender doubles the focal length of Vista Vision Format PL mount lenses. The extender is the larger version of PLx2 Adapter.
All Dia 80mm: 77mm internal.
40mm T2.2 CF 36″ W 2.2lbs / 50mm T2.2 CF 36″ W 2.9lbs / 75mm T2.5 CF 3’3″ W 3.3lbs / 100mm T3.2 CF 5′ W 3.7lbs
19mm T2.8 CF 12″ / 24mm T2.8 CF 12″ / 28mm T2.8 CF 12″ / 35mm T2.0 CF 12″ / 50mm T2.0 CF 20″ / 60mm T2.8 Macro CF 12″ / 90mm T2.0 CF 2′ 5″ / 135mm T2.8 CF 5′
LEICA R MOUNT ONLY with following adaptors Sony E Mount , Canon EF , Leica to Red Monstro . No PL adapters .
All T1.4 Dia 95mm:
set includes – 18mm CF1’2″ / 25mm CF 1′ / 35mm CF 1’2″ / 50mm CF 20″ / 75mm CF 2’3″
additional – 16mm CF1’2″ / 21mm CF 1′ / 29mm CF 1’6″ / 40mm CF 1’4″ / 65mm CF 1’6″ / 100mm CF 2’11”
24mm T3.6 CF 16″ / 30mm T2.9 CF 1’8″ / 35mm T2.6 CF 1’10” / 45mm T2.9 CF 2′ / 70mm T2.6 CF 1’8″ / 100mm T2.2 CF 2’4″ / 180mm T3.6 CF 5′
All T1.5 ( 50mm T 1 ) Dia 95mm
21mm CF 1′ , 24mm CF 1′ , 28mm CF 1’2″ , 35mm CF 1’2″ , 50Nmm CF 1.8″ , 75mm CF 2′ 6″ , 90mm CF 2’8″
They are an LPL mount lens . They remain incredibly compact and lightweight starting at 1.78 lbs / .81 kg, and between 2.7 – 4.4” (68 – 112 mm) in length.
All T1.4 Dia 114mm
18mm CF17″ / 25mm CF12″ / 35mm CF 14″ / 50mm CF 16″ / 85mm CF 36″ / 105mm CF 45″
Covers full frame / open gate / IMAX 65. Softer – edged smoother – contrast flares. A sharp vintage look with smooth fall off.
The 40.6-332mm Takumi is the second cinema lens designed by renowned Japanese optical manufacturer Musashi. This zoom features no ramping, Full Frame coverage and an integrated back focus adjustment.
40.6-332mm / Max Aperture T4.8 , Coverage Full Frame Lens Mount PL Min. Focus 4.1′ Front Dia. 136mm , Length 16.3″ , Weight 20.3 lbs.
Carbon fibre tripod legs
Bowl or flat base
2 stage
Precision F Snd Filter Set 0.3-2.4 (Internal Filters For The Alexa Xt Plus)
Series 9 Circular True Polar
Sprayoff Micro – Suitable For Lmb-5, Lmb-15, Lmb-25, (4 X 5.65) 24v Pwr
Sprayoff Mini – Suitable For Lmb-4, Lmb-6, Mb14, (6.6 X 6.6) 24v Pwr
Sprayoff Giga – Suitable For Mb14, (6.6 X 6.6) 24v Pwr
Light-weight carbon fiber and magnesium build, 6K Resolution, 16.5 stops of dynamic range with PL mount, side handle + 4 redvolts, redmote, 5″ LCD, B-Box, 4 x 256GB mini SSDs, V-mount batteries and USB 3 Red Station.
35.4 Megapixel CMOS sensor, Sensor size: 29.90 mm x 15.77 mm (Diagonal: 38.80mm), 60fps at 8K full format
Weapon 8K with Monstro / Sensor type: 35.4 Megapixel CMOS / Effective pixels: 8192 x 4320 / Sensor size: 40.96 mm x 21.60 mm (Diagonal:46.31 mm) / Dynamic Range: 17+ stops / Signal to noise ratio: 80db / 300MB/s using 480 GB mini mag / 60fps at 8K full format / Shoot Apple ProRes or Avid codecs / Carbon fiber, Magnesium and aluminum Alloy / Weight: 3.3lbs
100mm Bowel
Carbon tripod legs
Bowl or flat base
Carbon fibre tripod legs
PL mount, Dia 100mm:
25mm T2.1 CF 12″ / 50mm T2.1 CF 20″ / 75mm T2.1 CF 2 ‘ 6″ / 100mm T2.1 CF 3’3″
The SKATER Scope is the first truly compact periscope lens system. It can be used as a straight version (borescope) and as a bent version (periscope) with any desired angle.
The SKATER Scope is the first truly compact periscope lens system. It can be used as a straight version (borescope) and as a bent version (periscope) with any desired angle.
The Veydra 1.2x PL to PL extender makes it possible to use vintage zoom lenses from the Academy-format era with current generation Super 35 and larger sensor cameras. It works well with the following ,
PL and CANON mount, Dia 114mm:
15mm T 2.9 CF 10″ / 25mm T2.1 CF 10″ / 35mm T1.5 CF 12″ / 50mm T1.5 CF 18″ / 85mm T1.5 CF 3’3″
All T1.3, Dia 80mm:
18mm CF 10″ / 25mm CF 10″ / 35mm CF 1’3″ / 50mm CF20″ / 85mm CF 3′
All T1.3, Dia 80mm:
18mm CF 10″ / 25mm CF 10″ / 35mm CF 1’3″ / 50mm CF20″ / 85mm CF 3′
Set includes/ All T1.9 – 16mm CF 12″ / 24mm CF 12″ / 32mm CF 15″ / 50mm CF 2′ / 85mm CF 3 ‘
additional – 8mmT2.8 CF 16″ / 10mmT2.1 CF 15″ / 12mmT2.1 CF 15″ / 14mm CF 9″ / 20mm CF 12″
28mm CF 12″ / 40mm CF 15″ / 65mm CF 2’3″ / 100mm CF 3’3″ / 135mm CF 5’ / 180mm CF 8’6″
info@southislandcameras.nz